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  • Portrait of O.C. Marsh, founder of the Yale Peabody Museum and arch rival of Edward Drinker Cope.
    scf4327-183-marsh portrait 0001.jpg
  • Portrait of O.C. Marsh, (Rear Center) founder of the Yale Peabody Museum with his 1870 field crew to the West.
    scf4327-184-marsh portrait 0003field...jpg
  • Portrait of O.C. Marsh, (Rear Center) founder of the Yale Peabody Museum with his 1870 field crew to the West.
    scf4327-184_Marsh Portrait 0003field...jpg
  • Portrait of O.C. Marsh, founder of the Yale Peabody Museum and arch rival of Edward Drinker Cope.
    Marsh Portrait 0001.jpg
  • Portrait of O.C. Marsh, founder of the Yale Peabody Museum.
    scf4327-183_Marsh Portrait 0002.jpg
  • Portrait of O.C. Marsh, (Rear Center) founder of the Yale Peabody Museum with his 1870 field crew to the West.
    Marsh Portrait 0003fieldcrw.jpg
  • Portrait of O.C. Marsh, founder of the Yale Peabody Museum.
    Marsh Portrait 0002.jpg
  • A postmortem reunion of rivals Cope and Marsh.  In their celebrated feud, known as the Great Bone Wars, 136 new species of dinosaurs were described.  This oil painting was made of alive sitting with Marsh.  The skull is Cope's.
    Cope 0004 Skull w Marsh.jpg
  • Group Portrait with O.C. Marsh, third from right, founder of the Yale Peabody Museum with his field crew from the 1870's.
    Marsh Portrait 0005fieldcrw.jpg
  • A postmortem reunion of rivals Cope and Marsh.  In their celebrated feud, known as the Great Bone Wars, 136 new species of dinosaurs were described.  Cope's skull is in the cardboard box last used for electrical parts.
    Cope 0014 Marsh Grave.jpg
  • Portrait of O.C. Marsh, founder of the Yale Peabody Museum with Sitting Bull.
    Marsh Portrait 0004SittingB.jpg
  • Original Print from Marsh drawing of Brontosaurus.
    Brontosaurus Drawing Marsh.jpg
  • Artifacts from the lives of archenemies O.C. Marsh (left) and Edward Drinker Cope.  From Yale University, the Marsh pick became the standard for today's paleontologists.  Marsh's commissioned drawings of a Ceratosaurus, from the archives of the Smithsonian Institution, provide a backdrop for his compass and portrait of him (center row middle) and his 1870 field crew to the West.  Cope artifacts include: his pick and field diary from the American Museum of Natural History; from the Smithsonian archives, headlines of the original New York Herald chronicling their public fued; field specimens discovered in the vaults of the Philadelphia Academy of Natural Sciences, left as Cope had prepared them for shipment - still wrapped in newspapsers of the day, the Fargo Forum and the Sioux County Herald, both dated 1893.  From the University of Pennsylvania, the bones of the legendary bone hunter himself, Professor Edward Drinker Cope.
    scf4327-064-cope 0002copemarshstilll...jpg
  • Artifacts from the lives of archenemies O.C. Marsh (left) and Edward Drinker Cope.  From Yale University, the Marsh pick became the standard for today's paleontologists.  Marsh's commissioned drawings of a Ceratosaurus, from the archives of the Smithsonian Institution, provide a backdrop for his compass and portrait of him (center row middle) and his 1870 field crew to the West.  Cope artifacts include: his pick and field diary from the American Museum of Natural History; from the Smithsonian archives, headlines of the original New York Herald chronicling their public fued; field specimens discovered in the vaults of the Philadelphia Academy of Natural Sciences, left as Cope had prepared them for shipment - still wrapped in newspapsers of the day, the Fargo Forum and the Sioux County Herald, both dated 1893.  From the University of Pennsylvania, the bones of the legendary bone hunter himself, Professor Edward Drinker Cope.
    Cope 0003CopeMarshStillLife.jpg
  • Artifacts from the lives of archenemies O.C. Marsh (left) and Edward Drinker Cope.  From Yale University, the Marsh pick became the standard for today's paleontologists.  Marsh's commissioned drawings of a Ceratosaurus, from the archives of the Smithsonian Institution, provide a backdrop for his compass and portrait of him (center row middle) and his 1870 field crew to the West.  Cope artifacts include: his pick and field diary from the American Museum of Natural History; from the Smithsonian archives, headlines of the original New York Herald chronicling their public fued; field specimens discovered in the vaults of the Philadelphia Academy of Natural Sciences, left as Cope had prepared them for shipment - still wrapped in newspapsers of the day, the Fargo Forum and the Sioux County Herald, both dated 1893.  From the University of Pennsylvania, the bones of the legendary bone hunter himself, Professor Edward Drinker Cope.
    Cope 0002CopeMarshStillLife.jpg
  • Arthur Lakes school teacher and amateur fossil hunter who touched off the great bone wars by sending fossils he collected near Morrison, Colorado to O.C. Marsh made this drawing at Como Bluff, Wyoming.
    Lakes Aurthur Como Bluff.jpg
  • Arthur Lakes school teacher and amateur fossil hunter who touched off the great bone wars by sending fossils he collected near Morrison, Colorado to O.C. Marsh made this drawing at Como Bluff, Wyoming.
    scf4327-180-lakes aurthur como bluff.jpg
  • This Diplodocus longus from Wyoming, originally described by O.C. Marsh, is mounted in a state-of-the-art pose in Senckenberg Nature Museum in Frankfurt, Germany.  At 90 ft long but only 12 tons, it is kind of a Brontosaurus lite.
    Diplodocuslongus 2.jpg
  • This Diplodocus longus from Wyoming, originally described by O.C. Marsh, is mounted in a state-of-the-art pose in Senckenberg Nature Museum in Frankfurt, Germany.  At 90 ft long but only 12 tons, it is kind of a Brontosaurus lite.
    Diplodocuslongus 1.jpg
  • Cadillac Ranch near Ararillo, Texas was an art installation by the group Ant Farm.  10 classic cadillacs buried into was an art project sponsored by the eccentric Texas millionaire Stanley Marsh.
    fct4383-978_Texas 0001 Cadillac Ranc...jpg
  • Cadillac Ranch near Ararillo, Texas was an art installation by the group Ant Farm.  10 classic cadillacs buried into was an art project sponsored by the eccentric Texas millionaire Stanley Marsh.
    Texas 0001 Cadillac Ranch.jpg
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